30.3.11

Works of Light Graffiti

Light graffiti, also known as light painting, is a photographic technique in which exposures are made usually at night or in a darkened room by moving a hand-held light source or by moving the camera; in most cases the light source itself does not have to appear in the image. Meet some of the best light artworks we've found.




23.3.11

Street Artist

Street artist mobstr. had the ensuing conversation with the local authorities using graffiti. Judging by all of their white-washings, they were not fans of any of the several shades of grey he proposed.

19.3.11

Geek, Temporary & Reverse Graffiti

 
As influences would have it, many graffiti artists have gone hi-tech and many geeks have gotten into graffiti.
Here are some of the more fascinating results of this cross-pollination and unlikely alliance between two ordinarily quite different subcultural groups.
As graffiti and technology evolve alongside one another more and more innovative street artists are mixing media to create radical hybrids of graffiti art, design and technology.
Some employ high-tech equipment to project giant graffiti murals while others use it to enhance their street art stealth and portability. Some use tech less directly – as a source humorously geeky inspiration and subject matter.
Amongst the various developments in the world of urban street art reverse and temporary graffiti are two of the most exciting. Reverse graffiti involves the creation of patterns by selectively cleaning (as opposed to painting) surfaces.
Temporary graffiti is there then gone, also leaving no trace in the end. What makes these two types particularly promising is that they are (at worst) less destructive or (at best) even legal in some locations

light graffiti art photography

Light Graffiti Artists and Photographers: Light graffiti is a unique art that takes many forms, from comic and creative to refined and deliberate.
 
These light graffiti artists span the spectrum and use a wide range of tools to create art that can only be captured in the right time and place via photography, itself a difficult art.
 Light graffiti is a unique art that takes many forms, from comic and creative to refined and deliberate. These light graffiti artists span the spectrum and use a wide range of tools to create art that can only be captured in the right time and place via photography, itself a difficult art.
Light graffiti is uniquely ephemeral and inextricably intertwined with the art of photography, sometimes even invisible to the naked eye and apparent only when captured on film.
It is impermanent and its manifestations range from comical to sublime. The work of these twenty light graffiti artists spans the spectrum from humorously playful to deeply moving with everything in between.
The artists themselves, though their traces are seen in every shot, are rarely visible in the finished work. Sometimes they or other people feature in the work but mostly what can be seen is the after-effect of their creations, a time-lapse snapshot that condenses space and time into a single beautiful moment. Each thumbnail below will connect you to additional amazing images, inside information and further links about each artist and their work.

15.3.11

Street Painting and Sidewalk Chalk Art

 
Most people tend to think of graffiti as subversive art spraypainted in the dead of night on urban walls. Some artists, however, including Edgar Mueller, Julian Beever and Kurt Wenner, defy that stereotype, painting and chalking openly on city streets and sidewalks.
Beyond merely entertaining crowds, their work has at times even broken world records. These street art images and biographies merely scratch the surface and begin to convey their amazing artistic talents.

Graffiti Brazil: ENIVO

Marcus Vinícius aka ENIVO signed a pack with the vital essence of art at the age of 12, through his first experience with graffiti back in 1998. Since then, he has been scoring the city streets as a stamp of poetry, materializing ideas and feelings through images.
He spent much time following the intuitive experimental in his art through techniques, materials and possible languages in and out of Graffiti. Painting the movement, appreciating the unconscious to the expressive final result.
he takes all the mutations of his work as a portal to the new understanding that the technique, aesthetics, concept and expression of transiting in a cyclical form that comes and goes, where each new series is the result of what's been done while at the same time is a step to further research, branching ideas and bringing a range of possibilities for the future creations.

13.3.11

tattoo graffiti

Hand tattoo graffiti painting

Graffiti alphabet

 Graffiti alphabet ,  Always make people amazed after seeing the graffiti on the side of the street and corner of the city,
 indeed a beautiful scenery to be enjoyed, although they sometimes make some people consider just a scratch that dirty,

Graffiti 3D Arrow

Graffiti 3D Arrow Graphic Designs For Wallpaper Enjoy

Graffiti art

 Graffiti art is the same as running water, good color gradation with graffiti graffiti 3D shape of gold make this alphabet was bright and a bit of contrast but still beautiful views.

Graffiti (or spray paint)

 Graffiti (or spray paint) often regarded by others as unsightly damage or unwanted vandalism. But some times, the boring wall is supplied with a true piece of graffiti art, making it a joy for the eyes. A new game from Atari, Getting Up, is based on tagging.
a collection of pictures showing these fine spray paint creations. By looking at them and studying the details.

graffiti font

 
Our unique on this web logos premises graffiti fonts graffiti  aimed to create a unique and much in praise of people
with good art, then we need to learn a lot from people by finding various references graffiti fonts.

history graffiti

 
The word GRAFFITI simply means--words or drawings scratched or scribbled on a wall. The word comes from the Greek term "graphein" (to write) and the word "grafitti" itself is plural of the Italian word "graffito."
Art in the form of graffiti (graffiti by style and considered so only if it appears on public or private property without permission) originated in the late 1960s, but graffiti in term of public and unsolicited markings has been around for ever. Some say it represents man's desire and need for communication, and the history of this type of communication dates back to one of the first communicative acts--drawing.
It was in the late 1960s when "Julio 204" began writing his "tag" all around the city of New York. Soon following Julio came a Greek youth from Manhattan named Demitrius who tagged his own "Taki183" all over the city as well. Taki also focused on writing on the subway in New York. Even though what Julio 204 and Taki 183 did in New York eventually developed into what was called by some "New York Style" graffiti, these New York writers only popularized it. It is said that tagging first started in Philadelphia with the emergence of the legendary "Cornbread" and "Top Cat." Soon after the Philly development and the start of New York Graffiti, Top Cat's style started showing up in NYC and was called "Broadway Style" because of the long skinny lettering.
In 1971, the New York Times found and interviewed Taki 183 to try and explain this new phenomenon. Within a year of the article, "Taki 183 Spawns Pen Pals," hundreds of new writers emerged and took New York City by storm.

As tagging and graffiti started blowing up in the early 70s, people were caught off guard. One day there were the "natural colors" of the city and then came all the names out of nowhere.

"You have no idea what a blow graffiti was to us," said Mayor Lindsey of New York City. "You see we had gone to such work, such ends, to get some new subway cars in. It meant so much to people here in the city to get a ride, for instance, in one of the new air conditioned cars. On a hot summer day their mood would pick up when they had the luck to catch one. And you know, that was work. It's hard to get anything done here. You stretch budgets and try to reason people into activities they don't necessarily want to take up on their own. You have to face every variety of criticism, and it all requires so much time. We were proud of those subway cars. It took a lot of talking to a lot of committees to get that accomplished.....and then, the kids started to deface them!"

Now there are some interesting points to be made about kids defacing property. You see it was much more complex than just "defacing," there are many ways writers "deface" things.
One type is the individual marks, slogans, slurs or political statements usually found on bathroom walls and stalls or on other exterior surfaces. Some refer to this as "latrinalia" or some just call it junk; this is the stuff that gives writers a bad name. There is also the individual "tag" which is a fancy way of writing ones name or nickname (nicknames often include the street number that a writer lived at, such as Taki 183, on 183rd Street in Washington Heights). A tag is usually decorated with a variety of stylish marks. Although they may have style, they still lack an aspect of quality art work--anyone can come up with and practice and put up a tag. But it is not really meant for artistic purposes--it basically indicates a writer's presence. The tag is one way that graffiti artists are similar to gang members, although gang graffiti doesn't usually evolve into anything very skillful, its purpose is to also, like for writers, indicate a presence (a gang presence) and also to mark around specific gang turf.

Although lots of writers would not want to be compared to gangsters, the two groups do have several things in common: "both seek recognition from their peers, use aliases, take part in illegal activities, see themselves as noble outlaws and are young and most often poor."

Even though graffiti has grown in style and artistic quality, even though graffiti crews can now be found everywhere from (my own) Louisville, Kentucky to mainland China, most people would still say that "New York City conceived graffiti and it will always be the capital and cultural centre of graffiti."
Also, when graffiti first started coming up, it was done predominantly by Puerto Rican and African American youths from poor inner-city neighborhoods. Now, graffiti has attracted people, male and female, of all races, religions and nationalities from the broadest types of backgrounds from all socio-economic classes, and you can regularly find writers ranging in age from 8 to their 30s.
One writer, Shmoo, commented: "Graffiti is one of the few movements that I have been involved in that includes people from all backgrounds with one goal in mind...`getting up.'" Getting up means "To hit up anything, anywhere, with any form of graffiti from a tag all the way to a wildstyle burner."